John banville

Given the world that he created, it would be an impiety against God to believe in him.

You will remember this when all else fades, this moment, here, together, by this well. There will be certain days, and certain nights, you’ll feel my presence near you, hear my voice. You’ll think you have imagined it and yet, inside you, you will catch an answering cry. On April evenings, when the rain has ceased, your heart will shake, you’ll weep for nothing, pine for what’s not there. For you, this life will never be enough, there will forever be an emptiness, where once the god was all in all in you.

Ian McEwan is a very good writer; the first half of Atonement alone would ensure him a lasting place in English letters.

A plot begins when somebody has something to hide.

We carry the dead with us only until we die too, and then it is we who are borne along for a little while, and then our bearers in their turn drop, and so on into the unimaginable generations.

And indeed nothing had happened, a momentous nothing, just another of the great world's shrugs of indifference.

I am the worst judge of my books.

When I finish a sentence, after much labor, it's finished. A certain point comes at which you can't do any more work on it because you know it will kill the sentence.

The Booker Prize is a big, popular prize for big, popular books, and that's the way it should be.

I shall strip away layer after layer of grime -- the toffee-colored varnish and caked soot left by a lifetime of dissembling -- until I come to the very thing itself and know it for what it is. My soul. My self.

I live in Dublin, God knows why. There are greatly more congenial places I could have settled in - Italy, France, Manhattan - but I like the climate here, and Irish light seems to be essential for me and for my writing.

Where I went, no one could follow. Yet someone managed to hold my hand.

Perhaps all of life is no more than a long preparation for the leaving of it.

The trouble with you, Vic," he said, "is that you think of the world as a sort of huge museum with too many visitors allowed in.

Sleep is uncanny, I have always found it so, a nightly dress-rehearsal for being dead.

In my books you have to concentrate, but I work hard to make it that, when you do, the rewards are quite high.

If they give me the bloody prize, why can't they say nice things about me?

All I wanted was to be left alone. They abhor a vacuum, other people. You find a quiet corner where you can hunker down in peace, and the next minute there they are, crowding around you in their party hats, tooting their paper whistles in your face and insisting you get up and join in the knees-up.

There are times, they occur with increasing frequency nowadays, when I seem to know nothing, when everything I know seems to have fallen out of my mind like a shower of rain, and I am gripped for a moment in paralysed dismay, waiting for it all to come back but with no certainty that it will.

Dogs are dim creatures, do not speak to me of their good sense--have you ever heard of a team of tomcats hauling a sled across the frozen wastes?

I never went to university. I'm self-educated. I didn't go because I was too impatient, too arrogant.

I dont know if there is a personal identity. We all imagine that we are absolute individuals. But when we begin to look for where this individuality resides, its very difficult to find.

He knows that after him everything will continue on much as before, except that there will be a minuscule absence, a barely detective gap in the so-called grand scheme, one unit fewer now. Or not even that, not even an empty space where he once was, for all will rush immediately to fill that vacuum. Pft. Gone. Recollections of him will remain in the minds of others for a while, but presently those others too will die and his few relics with them. And then all will be dark.

All one wants to do is make a small, finished, polished, burnished, beautiful object . . . I mean, that's all one wants to do. One has nothing to say about the world, or society, or morals or politics or anything else. One just wants to get the damn thing done, you know? Kafka had it right when he said that the artist is the man who has nothing to say. It's true. You get the thing done, but you don't actually have anything to communicate, apart from the object itself.

I've always been fascinated by physics and cosmology. It gets more and more scary the older you get.

The white May blossom swooned slowly into the open mouth of the grave.

That's one of the many things I hate about life, that it's a hideously cliched business.

The sentence is the greatest human invention of civilization.

I have this fantasy. I'm walking past a bookshop and I click my fingers and all my books go blank. So I can start again and get it right.

The secret of survival is a defective imagination.

In order really to write one has to sink deep into the self and become lost there.

Dostoevsky is such a bad writer it is hard to take him seriously as a novelist, though he is a wonderful philosopher.

I think I'm less the writer than I'm the written.

It's great people still care about books, and it's great you can still fashion a life from literature.

Life is tragic but it's equally comic.

We think we're living in the present, but we're really living in the past.

For memory, we use our imagination. We take a few strands of real time and carry them with us, then like an oyster we create a pearl around them.

I have never really got used to being on this earth. Sometimes I think our presence here is due to a cosmic blunder, that we were meant for another planet altogether, with other arrangements, and other laws, and other, grimmer skies. I try to imagine it, our true place, off on the far side of the galaxy, whirling and whirling. And the ones who were meant for here, are they out there, baffled and homesick, like us? No, they would have become extinct long ago. How could they survive, these gentle earthlings, in a world that was made to contain us.

The first thought that occurred to me, that night when I heard the chairman of the jury announce my name, was, Just think how many people hate me at this moment. Naturally, I wanted to annoy those people even further by being arrogant.

I don't own a Kindle, no. I love books, they are beautiful objects.

What I was afraid of was my own grief, the weight of it, the ineluctable corrosive force of it, and the stark awareness I had of being, for the first time in my life, entirely alone, a Crusoe shipwrecked and stranded in the limitless wastes of a boundless and indifferent ocean.

Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.

We artists love to talk tough, but we're just as sentimental as everyone else when it comes down to it.

Happiness was different in childhood. It was so much then a matter simply of accumulation, of taking things - new experiences, new emotions - and applying them like so many polished tiles to what would someday be the marvellously finished pavilion of the self.

All my life I have lied. I lied to escape, I lied to be loved, I lied for placement and power; I lied to lie. It was a way of living; lies are life's almost-anagram.

I had never liked, even feared a little, this wild reach of marsh and mud flats where everything seemed turned away from the land, looking off desperately toward the horizon as if in mute search for a sign of rescue.

I like ideas. I find them more exciting than human behavior for the most part.

With the crime novels, its delightful to have protagonists I can revisit in book after book. Its like having a fictitious family.

Everything we do is tinged with the knowledge that this may be the last time that we will do this, and that makes what we're doing incredibly sweet.

The novel is resilient, and so are novelists.

Poetry is that magic which consists in awakening sensations with the help of a combination of sounds ... that sorcery by which ideas are necessarily communicated to us, in a definite way, by words which nevertheless do not express them.

The past beats inside me like a second heart.

Throughout the 1960s and 1970s devoted Beckett readers greeted each successively shorter volume from the master with a mixture of awe and apprehensiveness; it was like watching a great mathematician wielding an infinitesimal calculus, his equations approaching nearer and still nearer to the null point.

Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.

No two things the same, the equals sign a scandal.

I don't make a distinction between men and women. To me they are just people.

I'm full of self-doubt. I doubt everything I do. Everything I do is a failure.

Most crime fiction, no matter how 'hard-boiled' or bloodily forensic, is essentially sentimental, for most crime writers are disappointed romantics.

...being alone with him was like being in a room which someone had just violently left

How flat all sounds are at the seaside, flat and yet emphatic, like the sound of gunshots heard at a distance.

Art is amoral, whether we accept this or not; it does not take sides. The finest fictions are cold at heart.

All art at a certain level is entertainment. We go to a tragedy by Sophocles to be entertained.

The effect of prizes on one's career - if that is what to call it - is considerable, since they give one more clout with publishers and more notoriety among journalists. The effect on one's writing, however, is nil - otherwise, one would be in deep trouble.

What is money, after all? Almost nothing, when one has a sufficiency of it.

Yes, this is what I thought adulthood would be, a kind of long indian summer, a state of tranquility, of calm incuriousness, with nothing left of the barely bearable raw immediacy of childhood, all the things solved that had puzzled me when I was small, all mysteries settled, all questions answered, and the moments dripping away, unnoticed almost, drip by golden drip, toward the final, almost unnoticed, quietus.

I would be far more critical than any reviewer could be of my own work. So I simply don't read them.

To take possession of a city of which you are not a native you must first fall in love there.

Enormous morning, ponderous, meticulous; gray light streaking each bare branch, each single twig, along one side, making another tree, of glassy veins.

The world is not real for me until it has been pushed through the mesh of language.

I'm a hopeless 19th-century romantic.

A man is not much if he can't depend on himself, and nothing if others can't depend on him.

If I was asked to say what was the greatest invention of human beings, I would say the sentence.

The telephone ringing gave me a dreadful start. I have never got used to this machine, the way it crouches so malevolently, ready to start clamouring for attention when you least expect it, like a mad baby.

All a work of art can do is present the surface. I can't know the insides of people. I know very little about the inside of myself.

Doing what you do well is death. Your duty is to keep trying to do things that you don't do well, in the hope of learning.

In the city of flesh I travel without maps, a worried tourist: and Ottilie was a very Venice. I stumbled lost in the blue shade of her pavements. Here was a dreamy stillness, a swaying, the splash of an oar. Then, when I least expected it, suddenly I stepped out into the great square, the sunlight, and she was a flock of birds scattering with soft cries in my arms.

I read Nietzsche when I was a teenager and then I went back to reading him when I was in my thirties, and his voice spoke directly to me. Nietzsche is such a superb literary artist.

These days I must take the world in small and carefully measured doses. It is a sort of homeopathic cure I am undergoing, though I am not certain what this cure is meant to mend. Perhaps I am learning to live amongst the living again. Practising, I mean. But no, that is not it. Being here is just a way of not being anywhere.

Author details

John Banville: Biography and Life Work

John Banville was a notable Novelist. The story of John Banville began on 8 December 1945 in Wexford, Ireland.

William John Banville (born 8 December 1945) is an Irish novelist, short story writer, adapter of dramas, and screenwriter. He also had a 30-year career working in the Irish newspaper industry and served as literary editor of The Irish Times from 1988 until 1999.

Legacy and Personal Influence

Personally, John Banville was married to Patricia Quinn.

Philosophical Views and Reflections

Banville has said that he is "trying to blend poetry and fiction into some new form". He writes in the Hiberno-English dialect and dreads this being lost if he were to move abroad as other Irish writers have done.

Banville responded well in spite the hoax; he was described in the Sunday Independent as being "as dignified and eloquent as ever in the face of a disappointment that made headlines around the world" and told The Observer : "There is some comedy in it and potential material: 'The man who nearly won the Nobel prize'". Media in Ireland described the trick played on Banville as "cruel", while media in neighbouring England described it as "deceitful". He received numerous sympathetic emails and telephone calls and support from fellow writers.

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Inspire · Reflect · Repeat