Azzedine alaia

As a child, I was raised with my grandmother, alongside all my cousins, and the kitchen was always full.

I have been offered the highest paid contracts in the world. I refused them all. It's not my thing. I don't want to cheat people. And there are certain people I am allergic to. I even intervene when I don't like a customer; I rush in and check all the names. If I don't like them, I don't take them.

I'm always telling young designers to take the time to surround themselves with women.

I'm happier about my friends than I am about my work. I still have a long way to go with work. My friends, that's the one thing I'm sure about.

There is a sensuality about fabric. I think all materials should be inviting when they touch the skin. When I watch children stroking their mothers clothes, I feel that I have succeeded.

I am never sure that anythings good enough. Something that is good today will not be good tomorrow.

Who can really say who invents something first in fashion?

If you're sad about what you see in the mirror when you wake up every morning, you must change it.

Perfection is never achieved, so you need to go on working.

I make clothes, women make fashion.

I think women should be seductive, not triste. Theres enough sadness in life now without making women look sad, too.

It's important to make women feel confident, because I think they are more important than men.

I like black, because for me it is a very happy color.

I love films-they are like paintings.

Fashion will last forever. It will exist always. It will exist in its own way in each era. I live in the moment. It's interesting to know the old methods. But you have to live in the present moment.

Bill Cunningham he knows fashion better than anybody.

I even do my ready-to-wear samples like couture.

When I see beautiful clothes, I want to keep them, preserve them... Clothes, like architecture and art, reflect an era.

The foundation of beauty is the body.

The present fashion system is too hard - there are too many collections. The designers have no time to think! Money is too important. Schedules are too crazy.

My obsession is to make women beautiful. When you create with that in mind, things can't go out of fashion.

I'm working 24 hours a day. I have had a house in Tunisia for 20 years, and I never have time to go because there are collections, fittings.

Author details

Azzedine Alaïa: Biography and Life Work

Azzedine Alaïa was a notable Tunisian-French couturier and shoe designer. The story of Azzedine Alaïa began on 26 February 1935 in Tunis, French Tunisia. The legacy of Azzedine Alaïa continues today, following their passing on 18 November 2017 in Paris, France.

Azzedine Alaïa ( French: ; Arabic : عز الدين عليّة , romanized : ʿIzz ad-Dīn ʿAlayya , pronounced ; 26 February 1935 – 18 November 2017) was a Tunisian-French couturier and shoe designer. He became globally known particularly beginning in the 1980s for his women's dresses and he would dress numerous celebrities throughout his career.

Legacy and Personal Influence

Academic foundations were established at École des Beaux-Arts de Tunis.

Philosophical Views and Reflections

However, Alaïa still refused the marketing-driven logic of luxury conglomerates, continuing to focus on clothes rather than "it-bags". Alaïa is revered for his independence and passion for discreet luxury. Catherine Lardeur, the former editor-in-chief of French Marie Claire in the 1980s, who also helped to launch Jean-Paul Gaultier 's career, stated in an interview to Crowd Magazine that "Fashion is dead. Designers nowadays do not create anything, they only make clothes so people and the press would talk about them. The real money for designers lie within perfumes and handbags. It is all about image. Alaïa remains the king. He is smart enough to not only care about having people talk about him. He only holds fashion shows when he has something to show, on his own time frame. Even when Prada owned him he remained free and did what he wanted to do."

During an interview with The Ground Social & Magazine (formerly known as Virgine ), Alaïa criticised both Anna Wintour and Karl Lagerfeld . Alaïa, then 71 and based in Paris, said of Chanel creative director Lagerfeld, "I don't like his fashion, his spirit, his attitude. It's too much caricature. Karl Lagerfeld never touched a pair of scissors in his life." Alaïa also lashed out at the Vogue editor-in-chief: "She runs the business very well, but not the fashion part. When I see how she is dressed, I don't believe in her tastes one second... Anyway, who will remember Anna Wintour in the history of fashion?

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