Asne seierstad

I would like my book to give people insight to the war before and after, but I don't think anyone could read my book and suddenly make up her mind about the war. I want to write for everybody.

If I leave, reality will devour me. Then they will all really be dead.

If we can't understand the Afghan family, we can't understand Afghanistan.

If my name had not been cleared, it would have been difficult, perhaps impossible, to continue as a journalist.

When I decided to stay in Iraq, I decided to take the fear out of my body and put it into a freezer.

The family is the single most important institution in Afghan culture. It is described in the countrys constitution as the fundamental pillar of society.

The judgment means a lot. As a journalist being accused of invading someone's privacy, there is always a risk that it will stick to your name.

I think when you start to get afraid, it's time to leave.

I believe the consequences of a war are so harsh that it should be always the last resort.

We have believing in this innocent feeling of nothing will ever happen to us, because all catastrophes always broad and happening to anyone else.

I always try to describe the situation just as it is. I try to find sentences that I believe tell the story best. Even my articles are more literary than ordinary news stories.

If you've lived in a dictatorship for thirty years, you're used to people lying to you.

I was thinking, there are 5 million people, and I am just one of those 5 million. In the build-up to the war you see children playing in the street, and you think, ah, I'm going to be okay.

As a war correspondent, you have to weigh the risk you run against the story you can get.

We don't grow up in vacuums. We grow up in societies.

Being a war correspondent, and having covered four wars, I know that wars very seldom solve things.

As a woman, you accept the situation, adapt to it, and do your best, whereas men would choose violence.

I'm trying to see my own country with fresh eyes.

There is no journalist without opinions, and there's no real objectivity, but we can strive toward it.

If I lose, then I have to accept that my way of writing books is not the way society says it's okay to write.

There are personal reasons, psychological reasons, but there could also be political reasons for becoming a terrorist.

Even in a war, someone has to take care of daily life. Someone has to feed and clothe the children.

As the only woman, I was able to sit with the officers in front, with a glass of vodka in one hand and a cucumber in the other. That's how I went to my first war.

It was very difficult to write about my own country, because I have always been the outsider looking in.

I will get a loan and pay the money the court asks for. But I will not lay down my writing and I still say this was an important book to write.

There is nothing I would change - to change it I would have had to write a totally different book.

Author details

Åsne Seierstad: Biography and Life Work

Åsne Seierstad was a notable Broadcast Journalist. The story of Åsne Seierstad began on 10 February 1970 in Oslo, Norway.

Åsne Seierstad (born 10 February 1970) is a Norwegian freelance journalist and writer, best known for her accounts of everyday life in war zones – most notably Kabul after 2001 , Baghdad in 2002 and the ruined Grozny in 2006.

Philosophical Views and Reflections

As a reporter, she is particularly remembered for her work in war zones such as Afghanistan , Iraq and most recently Chechnya , as well as for her reports on the September 11 attacks in the United States. The Bookseller of Kabul , her second, bestselling book, is an account of the time she spent living with an Afghan family in Kabul after the fall of the Taliban in 2001. Her other books include One Hundred And One Days: A Baghdad Journal which describes the three months she spent in Iraq in the build-up to the U.S.-led invasion in 2003; Angel of Grozny: Inside Chechnya , an account of the time she spent in Chechnya after the war ; and One of Us : The Story of Anders Breivik and the Massacre in Norway (2015), which is the basis for the Netflix drama, 22 July .

British newspaper The Guardian published the same story, but later revised it online and in print. The revised version claimed Seirstad was not found guilty of defamation or of negligence, but rather of invasion of privacy, the decision on damages would be taken later, and was finally 250,000 Norwegian kroner (£26,000). In relation to the book's influence on Rais's family members, The Guardian wrote "The article also said the book's revelations of personal details caused several members of the Afghan family to move to Pakistan and Canada. We should have made clear this was an allegation made by the plaintiff's side in a case document."

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