Arturo toscanini

I kissed my first girl and smoked my first cigarette on the same day. I haven't had time for tobacco since.

After I die, I shall return to earth as a gatekeeper of a bordello and I won't let any of you enter.

I hate you all because you destroy my dreams!

To Strauss the composer I take off my hat; to Strauss the man I put it back on again.

If you want to please the critics, don't play too loud, too soft, too fast, too slow.

Can't you read? The score demands 'con amore,' and what are you doing? You are playing it like married men!

Liberty, in my opinion, is the only orthodoxy within the limits of which art may express itself and flourish freely-liberty that is the best of all things in the life of man, if it is all one with wisdom and virtue.

God tells me how the music should sound, but you stand in the way.

After conducting a concert in a small town, I once received the following note from a farmer who had attended the performance: "Dear Sir, I wish to inform you that the man who played the long thing you pull in and out only did so during the brief periods you were looking at him."

When I was young, I kissed my first woman and smoked my first cigarette on the same day. Believe me, never since have I wasted any more time on tobacco.”“After I die I shall return to earth as the doorkeeper of a bordello and I won't let a one of you in.

Author details

Arturo Toscanini: Biography and Life Work

Arturo Toscanini was a notable Conductor. The story of Arturo Toscanini began on March 25, 1867 in Parma, Italy. The legacy of Arturo Toscanini continues today, following their passing on January 16, 1957 in New York City, U.S..

Arturo Toscanini was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory . He was at various times the music director of La Scala in Milan and the New York Philharmonic . Later in his career, he was appointed the first music director of the NBC Symphony Orchestra (1937–1954), and this led to his becoming a household name, especially in the United States, through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire.

Legacy and Personal Influence

Personally, Arturo Toscanini was married to Carla de Martini.

Philosophical Views and Reflections

Charles O'Connell , who produced many of Toscanini's early NBC Symphony recordings, stated that RCA Victor decided to record the orchestra in Carnegie Hall whenever possible, after numerous customer complaints about the flat and dull-sounding early recordings made in Studio 8-H in 1938 and 1939. Nevertheless, some recording sessions continued to be held in Studio 8-H as late as June 1950, probably because of alterations to the studio beginning in 1939, including installation of an acoustical shell in 1941 at the insistence of Leopold Stokowski before he temporarily replaced Toscanini as principal conductor of the NBC Symphony in the fall of 1941. O'Connell and others often complained the Maestro was little interested in the details of recorded sound and, as Harvey Sachs wrote, Toscanini was frequently disappointed that the microphones failed to pick up everything he heard as he led the orchestra. O'Connell even complained of Toscanini's failure to cooperate with him during the sessions. Toscanini himself was often disappointed that the 78-rpm discs failed to fully capture all of the instruments in the orchestra or altered their sound to such an extent they became unrecognizable. Those who attended Toscanini's concerts later said the NBC string section was especially outstanding.

In 1967, The Bell Telephone Hour telecast a program entitled Toscanini: The Maestro Revisited , written and narrated by New York Times music critic Harold C. Schonberg , and featuring commentary by conductors Eugene Ormandy , George Szell , Erich Leinsdorf and Milton Katims (who had played viola in the NBC Symphony Orchestra). The program also featured clips from two of Toscanini's television concerts, in the days before they were remastered for video and DVD.

Arturo Toscanini
Arturo toscanini

Arturo Toscanini: Biography and Life Work

Arturo Toscanini was a notable Conductor. The story of Arturo Toscanini began on March 25, 1867 in Parma, Italy. The legacy of Arturo Toscanini continues today, following their passing on January 16, 1957 in New York City, U.S..

Arturo Toscanini was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory . He was at various times the music director of La Scala in Milan and the New York Philharmonic . Later in his career, he was appointed the first music director of the NBC Symphony Orchestra (1937–1954), and this led to his becoming a household name, especially in the United States, through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire.

Legacy and Personal Influence

Personally, Arturo Toscanini was married to Carla de Martini.

Philosophical Views and Reflections

Charles O'Connell , who produced many of Toscanini's early NBC Symphony recordings, stated that RCA Victor decided to record the orchestra in Carnegie Hall whenever possible, after numerous customer complaints about the flat and dull-sounding early recordings made in Studio 8-H in 1938 and 1939. Nevertheless, some recording sessions continued to be held in Studio 8-H as late as June 1950, probably because of alterations to the studio beginning in 1939, including installation of an acoustical shell in 1941 at the insistence of Leopold Stokowski before he temporarily replaced Toscanini as principal conductor of the NBC Symphony in the fall of 1941. O'Connell and others often complained the Maestro was little interested in the details of recorded sound and, as Harvey Sachs wrote, Toscanini was frequently disappointed that the microphones failed to pick up everything he heard as he led the orchestra. O'Connell even complained of Toscanini's failure to cooperate with him during the sessions. Toscanini himself was often disappointed that the 78-rpm discs failed to fully capture all of the instruments in the orchestra or altered their sound to such an extent they became unrecognizable. Those who attended Toscanini's concerts later said the NBC string section was especially outstanding.

In 1967, The Bell Telephone Hour telecast a program entitled Toscanini: The Maestro Revisited , written and narrated by New York Times music critic Harold C. Schonberg , and featuring commentary by conductors Eugene Ormandy , George Szell , Erich Leinsdorf and Milton Katims (who had played viola in the NBC Symphony Orchestra). The program also featured clips from two of Toscanini's television concerts, in the days before they were remastered for video and DVD.

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Empery Quotes
Inspire · Reflect · Repeat