Arthur symons

The gray-green stretch of sandy grass,Indefinitely desolate;A sea of lead, a sky of slate;Already autumn in the air, alas!One stark monotony of stone,The long hotel, acutely white,Against the after-sunset lightWithers gray-green, and takes the grass's tone.

My soul is like this cloudy, flaming opal ring.

There are certain natures to whom work is nothing, the act of work everything.

Leave words to them whom words, not doings, move.

The making of one's life into art is, after all, the first duty and privilege of every man.

The mystic too full of God to speak intelligibly to the world.

Hardly any one is able to see what is before him, just as it is in itself. He comes expecting one thing, he finds another thing, he sees through the veil of his preconception, he criticizes before he has apprehended, he condemns without allowing his instinct the chance of asserting itself.

I have laid sorrow to sleep;Love sleeps.She who oft made me weepNow weeps.

What we ask of him is, that he should find out for us more than we can find out for ourselves... He must have the passion of a lover.

Love is a flaming heart, and its flames aspire / Till they cloud the soul in the smoke of a windy fire.

I heard the sighing of the reedsAt noontide and at evening,And some old dream I had forgottenI seemed to be remembering.

A place has almost the shyness of a person, with strangers; and its secret is not to be surprised by a too direct interrogation.

Night, a more perfect day.

Criticism is properly the rod of divination: a hazel switch for the discovery of buried treasure, not a birch twig for the castigation of offenders.

Art begins when a man wishes to immortalize the most vivid moment he has ever lived.

He knew that the whole mystery of beauty can never be comprehended by the crowd, and that while clearness is a virtue of style, perfect explicitness is not a necessary virtue.

The desert of virginity Aches in the hotness of her mouth.

It is in their eyes that their magic resides.

Life is a dream in the night, a fear among fears, A naked runner lost in a storm of spears.

The wind is rising on the sea,The windy white foam-dancers leap;And the sea moans uneasily,And turns to sleep, and cannot sleep.

The English mist is always at work like a subtle painter, and London is a vast canvas prepared for the mist to work on.

I had my dreams of Venice, but nothing that I had dreamed was as impossible as what I found.

All art is a form of artifice.For in art there can be no prejudices.

But we have been taught to see before our eyes have found out a way of seeing for themselves.

I know the woman has no soul, I know The woman has no possibilities Of soul or mind or heart, but merely is The masterpiece of flesh: well, be it so. It is her flesh that I adore; I go Thirsting afresh to drain her empty kiss. I know she cannot love: it is not this My vanquished heart implores in overthrow. Tyrannously I crave, I crave alone, Her splendid body, Earth's most eloquent Music, divinest human harmony; Her body now a silent instrument, That 'neath my touch shall wake and make for me The strains I have but dreamed of, never known.

I have loved colours, and not flowers;Their motion, not the swallows wings;And wasted more than half my hoursWithout the comradeship of things.

As perfume doth remain In the folds where it hath lain, So the thought of you, remaining Deeply folded in my brain, Will not leave me: all things leave me: You remain.

My life is like a music-hall,Where, in the impotence of rage,Chained by enchantment to my stall,I see myself upon the stageDance to amuse a music-hall.

Sweet, can I sing you the song of your kisses? How soft is this one, how subtle this is, How fluttering swift as a bird's kiss that is, As a bird that taps at a leafy lattice; How this one clings and how that uncloses From bud to flower in the way of roses.

There is not a dream which may not come true, if we have the energy which makes, or chooses, our own fate.... It is only the dreams of those light sleepers who dream faintly that do not come true.

God, like all highest things, Hides light in shade, And in the night his visitings To sleep and dreams are clearliest made.

And I would have, now love is over, An end to all, an end: I cannot, having been your lover Stoop to become your friend!

A realist, in Venice, would become a romantic by mere faithfulness to what he saw before him.

The clamours of spring are the same old delicate noises, The earth renews its magical youth at a breath.

Without charm there can be no fine literature, as there can be no perfect flower without fragrance.

To have loved, to have been made happy thus, / What better fate has life in store for us?

Here in a little lonely room I am master of earth and sea, And the planets come to me.

Vaguely conscious of that great suspense in which we live, we find our escape from its sterile, annihilating reality in many dreams, in religion, passion, art.

The dead are happy, having no desire. I rise and fall, and rise and fall again, Something is in me, famishing for bread, Baffled and unappeasable as fire.

Author details

Arthur Symons: Biography and Life Work

Arthur Symons is recognized for significant cultural contributions. The story of Arthur Symons began on 28 February 1865 in Milford Haven, Wales. The legacy of Arthur Symons continues today, following their passing on 22 January 1945 in Tenterden, England.

Born in Milford Haven , Wales , to Cornish parents, Symons was educated privately, spending much of his time in France and Italy. In 1884–1886, he edited four of Bernard Quaritch 's Shakespeare Quarto Facsimiles , and in 1888–1889 seven plays of the " Henry Irving " Shakespeare . He became a member of the staff of the Athenaeum in 1891, and of the Saturday Review in 1894, but his major editorial feat was his work with the short-lived Savoy .

Legacy and Personal Influence

Personally, Arthur Symons was married to Rhoda Bowser.

Philosophical Views and Reflections

Symons contributed poems and essays to The Yellow Book . He later compiled his short essays from 1899–1919 in The Symbolist Movement in Literature , which examines Honoré de Balzac , Prosper Mérimée , and earlier authors such as Gérard de Nerval . Though he does not directly define symbolism in his introduction, he portrays it as a movement. Symons also created The Decadent Movement in Literature which was published in Harper’s New Monthly Magazine in November 1893, where he claims decadence is the most representative literature of the day.

Critic Arnold B. Sklare wrote that Symons' book " Confessions is awful.... Confessions , together with a large body of criticism and poetry produced between 1913 and 1935, reveal that a sensitive and highly speculative mind experienced a wound which had never wholly healed".

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