Anselm kiefer

Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.

Life is an illusion. I am held together in the nothingness by art.

When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not.

Not content, but the road the artist takes, is the interesting part.

Buying art is not understanding art.

What does the artist do? He draws connections. He ties the invisible threads between things. He dives into history, be it the history of mankind, the geological history of the Earth or the beginning and end of the manifest cosmos.

When, at the end of the 1960s, I became interested in the Nazi era, it was a taboo subject in Germany. No one spoke about it anymore, no more in my house than anywhere else.

If I do something that depresses, it's not because I'm depressed, but because political life and history is depressing.

I am against the idea of the end, that everything culminates in paradise or judgment.

History is formed by the people, those who have power and those without power. Each one of us makes history.

The book, the idea of a book or the image of a book, is a symbol of learning, of transmitting knowledge.. I make my own books to find my way through the old stories.

I am of the opinion that there are artists and non-artists. I think that this is the way it always was and always will be. I do not believe that we are in the center of the world. It is possible that there are gods who do not relate to human. As an artist, I believe that it is possible to depict these forces.

I believe in empty spaces; they're the most wonderful thing.

I am interested in reconstructing symbols. It's about connecting with an older knowledge and trying to discover continuities in why we search for heaven.

History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images.

Art is longing. You never arrive, but you keep going in the hope that you will.

As an artist you have to find something that deeply interests you. It's not enough to make art that is about art, to look at Matisse and Picasso and say, how can I paint like them? You have to be obsessed by something that can't come out in any other way, then the other things - the skill and technique - will follow.

Because of my Calvinistic upbringing, I was trained to think that what you do has to have a purpose.

I was interested in transcendence from a very early age. I was interested in what was over there, what was behind life. So when I had my first communion I was very disappointed. I had expected something amazing and surprising and spiritual. Instead all I got was a bicycle. That wasn't what I was after at all.

But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.

I might have been born into a very literal sense of chaos, but in fact that state is true of all of us.

Art maybe the only space where an indvidual can be utterly free to question himself, as well as his relationship to his God

When knowledge becomes rigid, it stops living.

I never see a forest that does not bear a mark or a sign of history.

Art is difficult. Its not entertainment.

I believe art has to take responsibility but it should not give up being art.

I grew up in a forest. It's like a room. It's protected. Like a cathedral... it is a place between heaven and earth.

Art really is something very difficult. It is difficult to make, and it is sometimes difficult for the viewer to understand. It is difficult to work out what is art and what is not art.

As a child I had no toys; our house was bombed, but there were lots of bricks. Ruins are wonderful because they are the beginning of something new, you can do something with them.

Ruins, for me, are the beginning. With the debris, you can construct new ideas. They are symbols of a beginning.

Author details

Anselm Kiefer: Biography and Life Work

Anselm Kiefer was a notable German painter and sculptor. The story of Anselm Kiefer began on 8 March 1945 in Donaueschingen, Germany.

Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Peter Dreher and Horst Antes at the end of the 1960s. His works incorporate materials such as straw , ash , clay , lead, and shellac . The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horrors of the Holocaust , as have the spiritual concepts of Kabbalah .

Legacy and Personal Influence

Personally, Anselm Kiefer was married to Monika Kiefer, Renate Graf (divorced). Historically, their work is best remembered for Painting, Sculpture, Mixed media.

Philosophical Views and Reflections

In 2009 Kiefer mounted two exhibitions at the White Cube gallery in London. A series of forest diptychs and triptychs enclosed in glass vitrines, many filled with dense Moroccan thorns, was titled Karfunkelfee , a term from German Romanticism stemming from a poem by the post-war Austrian writer Ingeborg Bachmann . In The Fertile Crescent , Kiefer presented a group of epic paintings inspired by a trip to India fifteen years earlier where he first encountered rural brick factories. Over the past decade, the photographs that Kiefer took in India "reverberated" in his mind to suggest a vast array of cultural and historical references, reaching from the first human civilization of Mesopotamia to the ruins of Germany in the aftermath of the Second World War , where he played as a boy. "Anyone in search of a resonant meditation on the instability of built grandeur", wrote the historian Simon Schama in his catalogue essay, "would do well to look hard at Kiefer's The Fertile Crescent ".

Kiefer's works are included in numerous public collections, including the Hamburger Bahnhof , Berlin; the Museum of Modern Art and the Solomon R. Guggenheim Museum , New York; Detroit Institute of Arts , Detroit; the Tate Modern , London; the San Francisco Museum of Modern Art ; the Art Gallery of Ontario , Toronto; the North Carolina Museum of Art , Raleigh; the High Museum of Art , Atlanta; the Albright-Knox Art Gallery , Buffalo; the Philadelphia Museum of Art ; the National Gallery of Australia , Canberra; the Tel Aviv Museum of Art ; the Saint Louis Art Museum , Missouri; and the Albertina , Vienna. The Metropolitan Museum of Art in New York owns 20 of the artist's rare watercolors. Notable private collectors include Eli Broad and Andrew J.

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Empery Quotes
Inspire · Reflect · Repeat