Ajay naidu

It is important to tell good stories. You can tell stories even if they are not huge, epic, and wonderful. You can still take the responsibility for being a scribe of your tribe.

We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.

I think that I have sold out sometimes.

I like the theatre because you paint with broad strokes. To me the theatre is stretching its definition really far.

Acting school was summer camp, and I needed concentration camp. I had so many different ideas swirling between culture and how to tie things together.

I hear music as narrative.

The loneliness is when you pick up and move, even if you are not originally from that place, and you have some memories that you want to embrace. Having a life in transit, I feel like you are always looking out the back window.

Part of the work is determining through what instrument you are playing. Actors are physical, olympian storytellers and we should be able to create entire landscapes with nothing.

I got heavily into the drum-and-bass scene, which is really wicked.

I think that rap is narrative, when it's done right.

I applied to American Repertory School up at Harvard at got in.

I love films for the fact that it is like working under a microscope. It is sort of like a laboratory.

America makes up its own mind about what it wants to see.

My first acting job happened by accident when I was really young. I was in fifth grade and my teacher saw an ad in the paper and took me to the audition after school and I got the part.

I knew I was happy when I was dancing.

My family was very supportive of my acting. They didn't really have a choice because I got jobs acting before anyone could really say anything. It paid my way through college and helped my family out.

In every character I play, I try to imbibe something. Every film is a learning process for me.

When you get to play with the big boys, your game improves drastically.

I want to present interesting stories that don't qualify themselves just by virtue of their ethnographic type.

It is important to keep your head up and follow what you believe is right.

Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.

I had been working early in my life in films - since I was 11.

The camera is interested in what you are thinking as opposed to just what you are doing or saying.

It is important to make your own stuff. Even if you are not an actor, it is important to not stop involving yourself as a creative person.

You have to work with what you are given, even in Shakespeare. we have our form and it is important that we free ourselves through it.

There is extraordinary similarities between the Midwest in America and Europe in that there is this sense of vast, open sky and loneliness and cold.

Author details

Ajay Naidu: Biography and Life Work

Ajay Naidu was a notable Actor. The story of Ajay Naidu began on February 12, 1972 in Evanston, Illinois, U.S..

Ajay Kalahastri Naidu (born February 12, 1972) is an American actor and director best known for playing Samir in Office Space . He also made guest appearances in The West Wing and The Sopranos . Naidu was nominated for the Independent Spirit Award for Best Supporting Male for his performance in the film Sub Urbia .

Legacy and Personal Influence

Personally, Ajay Naidu was married to Heather Burns.

Philosophical Views and Reflections

Naidu returned to film acting in 1996 with Richard Linklater 's Sub Urbia , for which he was nominated for the Independent Spirit Award for Best Supporting Male and competed against the likes of Samuel L. Jackson , Roy Scheider and Jason Lee .

Naidu's most recent theatre credits include The Kid Stays in the Picture at the Royal Court Theatre , The Master and Margarita with Complicite , a world tour of Shakespeare 's Measure for Measure with Complicite, The Resistible Rise of Arturo Ui alongside Al Pacino , directed by Simon Mc Burney , The Little Flower of East Orange alongside Ellyn Burstyn at New York's Public Theater directed by Philip Seymour Hoffman , and Waiting for Godot at TFANA directed by Arin Arbus. In 2001 Naidu's solo theatre piece Darwaza was a sold-out hit at New York's Labyrinth Theatre , where he is also a member of the company.

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