On the last day of every character I've ever played, I lay the clothes out on the floor with the shoes and socks, so that it looks like the character has literally vanished. That's the way you have to leave them.
A series is a big deal, and there are a lot of people out there writing stuff that don't know what art is.
I'm only the messenger.
I've never bought a boxed set DVD or anything like that.
You mortgage yourself sometimes. You know what you want to do, then you balance it against paying the rent.
In some ways, what I learned is that you can take a character and breathe with them, and its up to the audience to interpret rather than you putting moral stamp on the character.
My two kids take a lot of my focus, which I'm grateful for.
As an actor, often you're stuck with these scenes in which a great period of time is in between them - for example, if you do a biopic, it might be a year, it might be a decade, you never know.
It's easy to actually get the ink on the page, but somehow I've gotta find a way to play this. And I have to find a way to emotionally survive playing this.
An actor always wants to sink his teeth into something.
The world isn't what you think it is.
