Adam leipzig

Artists don't like the business side. None of us were born understanding money. We all had to learn how to do it. So it's just something creative people need to get familiar with... not really so scary.

The one thing that cannot be outsourced is creativity. We have to find ways to support creative people because the only way we are going to improve our laws... is by creating our way out of it.

When we are in our studios, in our private space... we need to block out the outside world; we need to disbelieve anything that would doubt us, because - everyone will doubt us if we allow them that space.

In order to be artists we need to be in our studios, in our private rooms... in our private personal space... that sacred protected space, so we can make our work. That's the only work that's worth making, right? That's the place where we can be free enough and vulnerable enough to share what we have to share.

You can shoot and edit a movie from your iPhone and upload it to YouTube. Of course, what's not universal is talent. Are you making anything that anyone really should see?

The unexamined life is not worth living. But if all you're doing is examining, then you're not living!

The one word you should forget when you start a new project is the word 'I' - you need to replace that word 'I' with the idea of 'everybody else.

At a certain point you have to make a decision in your life about where will you best serve, and I decided that I would best serve as a producer as opposed to a studio executive. There are many upsides to being the studio executive, but one of the downsides is that you get removed from the actual process of making the movie.

Frightening for many artists is promoting themselves. They feel it is... artificial and not what we want to be known for. Yet if we start thinking about what we do as important and important to offer to people, not to sell... it allows us to shift the way we think about promoting ourselves.

How do I get it made? How do I get it seen? How do I get it in front of the people I want to serve?

Author details

Adam Leipzig: Biography and Life Work

Adam Leipzig was a notable Film producer.

Adam Leipzig is the CEO of Entertainment Media Partners, an American film and theatre producer and executive, as well as an author. As a former Disney executive, he supervised films such as Dead Poets Society (1989) and Honey, I Shrunk the Kids (1989). Leipzig produced films such as Titus (1999), The Way Back (2010) and A Plastic Ocean (2016). While president of National Geographic Films , he acquired the international rights to March of the Penguins , and created the US version, which won the Academy Award for Best Documentary Feature . Leipzig authored two books on film making.

Legacy and Personal Influence

Historically, their work is best remembered for Dead Poets Society.

Major Contributions

  • Dead Poets Society
  • Honey, I Shrunk the Kids
  • Titus
  • The Way Back
  • March of the Penguins
  • A Plastic Ocean

Philosophical Views and Reflections

In 2003 Leipzig became president of National Geographic Films , where he supervised acquisition and distribution of films including March of The Penguins , The Story of the Weeping Camel , Amreeka , Kekexili: Mountain Patrol and God Grew Tired of Us ; and he produced The Way Back , The Last Lions and Arctic Tale . In October, 2008, National Geographic Films announced $100 million in financing with an equity investment from Abu Dhabi Media Company and a credit facility from JP Morgan . Leipzig left National Geographic Films in March, 2010.

Leipzig has written for American Theatre , Written By, Screen International, and High Performance , and he was the founding editor of Theatre LA magazine. In 2005 Leipzig wrote two articles for The New York Times about how the movie business works for theatrical and home video releases.

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Empery Quotes
Inspire · Reflect · Repeat